It’s likely that you might want to enlist the use of the filter to tame this, particularly as decay times can be set to the extreme of 10 seconds, which is long enough for any 808 kick tail. Using the latter allows for all sorts of complex shaping, making it easy to create those sinusoidal sub tones which you might associate with urban grooves. There’s plenty of opportunity for envelope change, which can be done through use of pots or by simply clicking on the envelope graphic. These can be treated individually, and in themselves are their own partials. The kick is one of the more simplistic sounds, with the immediate offer of two timbral elements in body and tone. Sonic differences here are stepped and can be reasonably substantial, presumably because it is so easy to make an edit, although it’s worth pointing out that the selection of a timbre at this level will remove any changes that you might have made, even to elements such as the envelope or filter.Īs we’ve moved into the world of editing, it’s worth mentioning what’s on offer.
Listening through all of the sounds, they do seem to flock together, as one sound can clearly offer association to the next. Categorising drums is always a thorny issue, as so many of the names relating to these instruments are connected with trademarked drum machines, so UVI has steered away from this by using adjectives, with the occasional triple-digit mention of the 808, which would be very difficult to avoid otherwise.
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